4,775 Royalty-Free Audio Tracks for "In C"

Recording of music written by Frederic Chopin

Berg's basic tone row from Lulu on C.

Page from Thomas Ravenscroft's (c. 1582 – 1635) "Pammelia, Musicks Miscellanie" (1609)

Girl sings "no". Microphone: c-3 behringeredirol ua-4fxsoftware: cubase 5.

Pushing over stack of poker chips as in an all-in gesture. Recorded on behringer c-1.

Berg's Alwa tone row from Lulu on C.

Own creation. Created with audacity and yamaha moxf6.

Loop in 125 bpm in c major build in fruit loops.

Pushing over stack of poker chips as in an all-in gesture. Recorded on behringer c-1.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland hs-80patch name (pack): excessivevelocitynote: c2midi note: 36midi velocity: 8.

*Bohlen-Pierce scale: interval between C and E, septimal major third on C = E. Just: 9/7 = 435.08 cents. Limit: 7-limit. MIDI pitch bend: 29,75

*Septimal minor second on C = D♯- (Ben Johnston's notation). Just: 28/27 = 62.96 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 7-limit. MIDI pitch bend: 19,84 on PU

Single note sampled from a moog slim phatty analogue synthesizer. Slim phatty is a monophonic analogue synthesizer designed by moog music. Synthesizer: moog slim phattyfactory preset #: 1note: c-1midi note: 0midi velocity: 16.

This wave file is prepared as a morphagene reel 48khz, 32 bit with markers (splices) for each sound. They're all tuned to c, they're stereo and have some reverb. It basically turns your morph into a synth voice that responds very well to 1v/oct. I am sure you're going to have fun with it.

*Bohlen-Pierce scale: interval between C and B on C = B. Just: 25/18 = 568.72 cents. Limit: 5-limit. MIDI pitch bend: 127,53

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

*11 steps in 17 equal temperament on C = A♭ (Easley Blackwood's notation). Equal-tempered: 211/17:1 = 776.47 cents. MIDI pitch bend: 60,56

*Greater tridecimal two-third tone on C = D♭- (Ben Johnston's notation). Just: 13:12 = 138.57 cents. Limit: 13-limit. MIDI pitch bend: 44,76

*Forty-ninth harmonic on C = A♭+. Just: 49:32 = 737.65 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 7-limit. MIDI pitch bend: 6,76

*Nine quarter tones/supermajor third on C = E/F. Equal-tempered: 29/24=3/8:1 = 450 cents. MIDI pitch bend: 0,80 Preceded by:File:Seven quarter tones on C.mid

*19 steps in 21-et on C = B♭↑ (Easley Blackwood's notation). Equal-tempered: 219/21:1 = 1085.71 cents. MIDI pitch bend: 54,59

*Hundred-nineteenth harmonic on C = B. Just: 119/64 = 1073.78 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 17-limit. MIDI pitch bend: 78,87

*11 steps in 16-et on C = G♯ (Easley Blackwood's notation). Equal-tempered: 211/16:1 = 825 cents. MIDI pitch bend: 76,57

*Seventy-seventh harmonic on C = E↑♭ (Ben Johnston's notation). Just: 77/64 = 320.14 cents. Limit: 11-limit. MIDI pitch bend: 57,70

*13 steps in 17 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 213/17:1 = 917.65 cents. MIDI pitch bend: 83,69

Franz Schubert - Fantasy in C major D.760 (op.15) "Wanderer" - I. Allegro con fuoco ma non troppo by Daniel Blanch

Concert pianist Awadagin Pratt performs w:Johann Sebastian Bach's Passacaglia and Fugue in C minor at the w:White House Evening of Classical Music on November 4, 2009. In addition from 11:22 to 11:27, he salutes United States President Barack Obama with a few bars of "Hail to the Chief".

A 303 sample i sampled from my tb303workes great with only this sample in reason fl studio and so on.

Rainstick recorded with a stereo matched-pair of akg c-214 microphones in a studio.

Girl's voice singing. Microphone: c-3 behringeredirol ua-4fxsoftware: cubase 5.

Just augmented fifth in just C scale: E♭ and B.